I am looking for work in Monaco. June 21, 2006Jay Evans Avid Editor To Whom It May Concern, I am looking for work in Monaco. In my field or in a new field. I am an Avid Symphony and Avid Adrenaline Editor: experienced in offline and online Avid editing, as well as being skilled in color correction. My resume is attached to this letter. I would be an asset to you as an Online or offline editor in any up coming editing projects you may have. Once again I am also open to a new field of work in Monaco. You can contact me at (310) 430-5007 or at jayevans2010@yahoo.com. Thanks for your attention. Sincerely, Jay Evans P.S. I am planning to be relocating to Europe Jay Evans (310) 430-5007 jayevans2010@yahoo.com Professional Experience Editor, Freelance 1996 – 2005 2004 - 2005 National Geographic Television, Washington D.C.: Edited Shows Taboo, and Amazing Moments. Offline editing show segments and edited the whole Amazing Moments show including show open, all segments and the show close. Created titles, building all graphic effects, Luma Keys, all 3D effects, 2D transitional effects and audio effects. Using Avid Symphony and Media Composer PBS, KCET Channel 28, Los Angeles CA: Edited Shows Life & Times, Tavis Smiley, show promos and Pledge Promos. Editing show segments and formatting shows for broadcast. Using the Avid Symphony, creating titles, audio sweetening, color correction, Luma Keys, 2D, and 3D multi layered effects. 2001 - 2005 KCBS Channel 2 / KCAL Channel 9 Los Angeles CA: Edited for special projects, promotions, and news show special projects. Also working closely with sports producers in creating and building music montage promos for sports promotions. Using the Avid 9000 Media Composer for online editing. 2001 - 2002 ABC Family Worldwide, Los Angeles CA: Edited the Show S Club 7 for The BBC, working in PAL. Performed all aspects of Avid online editing: batch digitizing, adding credits, adding 3D effects, and scene to scene color correction. Formatting the shows output: 16: 9 anamorphic, 4:3, and letterbox online versions using the Avid Symphony. 1998 - 2000 Black Entertainment Television, Burbank CA: Edited the Comic View Show using Avid 9000 Media Composer. Performed all aspects of Avid operations: batch digitizing, low resolution offline editing, high resolution online compositing, building credits, audio sweetening, creating 2D, and 3D effects for final output. 1996 - 1998 E! Entertainment Television Los Angeles CA: Edited show segments and online formatting shows for network distribution. Edited shows: Model, Extreme Close Up, FYE, Uncut, In Focus, Behind the Scenes, Sex on the Riviera, E News Daily, special project, and promotions. Using Avid 8000 Media Composer & GVG. Editor Asst. 1990 - 1996 Varitel Video: Assisted on all aspects of component digital and composite digital edit sessions. Edited shows: Sci-Fi Buzz, Dick Crew Productions and Honey Bee Hutch, Saban Ent. The Selluloid Group: Assisted on edit sessions, also telecine sessions. Dubner operations, graphic camera, and film cleaning. Primary projects: music videos and commercial advertising. ANDERSON VIDEO: Formatting NTSC & all PAL network shows for foreign distribution. Freelance: 525 Post Productions, Pacific Ocean Post, Sunset Post, and Kappa Video. Encore Video: Assisted on PAL & NTSC shows: L.A. Law, Murder she wrote, & Twin Peaks. Equipment Experience Editors - Avid Symphony, Avid DS Nitris, Avid Media Composer, Windows XP and Mac OS X Effects - Avid Symphony Color Correction, Ultimatte Keyer, Motion Tracking, Time Warp, Titles & Graphics Chroma & Luma Keyers, 2D, & 3D Effects. Avid DS Color Correction, DVE, Audio Mixing & Conforming Class Training - Moviola 305 Advanced Avid Effects: 2D, 3D Multilayered, Multi-Nested Effects, Effect Management, Chroma & Luma Keyers 324 Avid Symphony Finishing Effects: Shot to Shot & Secondary Color Correction, Motion Tracking, Ultimatte Keyer, Pan Scan, Reformatting Aspect Ratios Avid DS 101: Editing, DVE, Color Correction, Media Management, Audio Mixing & Conforming, & Titling Server - Avid Unity Media Network HD VTRs - HDCAM HDW-F500, HD D5, DVC Pro HD D1 VTRs - Sony Digital Beta, 2000, 1000, Ampex DCT D2 VTRs - DVC Pro, Sony 28, 20, 18, 10 D2 PAL VTRs - Sony 28P, 20P 1/2” Sony - Beta SP 75, 70, 65, Beta BVW 40, 10 Audio Decks - Sony DA 88, Sony Dat, Nagra T Audio, Telecine - Rank URSA, M3, M2, M1, Bosch FDL 60 Film Cleaners - Lipner Smith CF 3000, CF | 
